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Techno Top 100 Report: Drumcode Holds 17 Places and 6 of the Top 10, Led by Faithless Remixes

October 20, 2026 · Beatport
Techno Top 100 Report: Drumcode Holds 17 Places and 6 of the Top 10, Led by Faithless Remixes

If you are choosing a techno record to buy or finish this month, the Beatport Techno (Peak Time / Driving) Top 100 points one way: Drumcode-style driving techno around 132 BPM. Adam Beyer's label holds 17 of the 100 places today, including six of the top 10, and Faithless remixes from its recent release sit at No. 1 and No. 3.

Top 10 right now

1
We Come 1 (Adam Beyer Remix)
Faithless
Drumcode
2
God Gave Us Techno (Original Mix)
Sarah De Warren, Tao Andra
Arcane Music
3
Tarantula (KASIA Remix)
Faithless
Drumcode
4
Obsidian (Original Mix)
Kevin de Vries, Juan Elvadin
Drumcode
5
Taste of the Night (Original Mix)
A.D.H.S., Kos:mo
Drumcode
6
Go Deep (Extended Mix)
Sabura, Gizmo (DE), Mac (DE)
TURBO
7
Easy A (Original Mix)
Kaufmann (DE)
Drumcode
8
Liquid Hook (Victor Ruiz Remix)
Liquid Soul, Victor Ruiz, Captain Hook
Iboga Records
9
Feel Me (Original Mix)
Kevin de Vries, Juan Elvadin
Drumcode
10
Rise Connection (Alex Stein Remix)
ADRIANNA
TMPL Music

The numbers

  • Labels: Drumcode has 17 entries, VOLTA 10 and TAKEOFF 6. Six of VOLTA's 10 tracks came out on 16 October.
  • Top of the chart: Adam Beyer's remix of 'We Come 1' leads, KASIA's 'Tarantula' remix is No. 3, and Beyer's Alt Mix of 'We Come 1' adds another entry at No. 72. Kevin de Vries and Juan Elvadin have two top-10 tracks, 'Obsidian' (No. 4) and 'Feel Me' (No. 9), both out on 9 October.
  • Tempo: 52 tracks sit between 130 and 135 BPM, and 20 of them are at exactly 132 BPM. Another 26 run at 140 BPM or faster, and only 9 are below 130.
  • Freshness: 21 tracks were released on 14 October or later, so roughly one chart place in five turned over within a week.
  • Originals vs remixes: 85 are original or extended mixes and 15 are remixes.

What it means

For buyers: a finished, label-ready track at 130-135 BPM matches what half the chart is playing, so it fits the sets that drive these sales. The faster 140+ BPM group is smaller but still a quarter of the chart, which leaves room for a harder record that does not get lost among dozens of similar ones. You can compare against exclusive Techno tracks for sale on GPW.

For producers: the top 10 is mostly big-room techno from established labels, so a track aimed here has to stand next to Drumcode at full volume. With one chart place in five turning over in a week, a strong release on a label with weekly output still gets a real chance to chart.